Thursday, August 21, 2008

 

Bincho Yakitori

Ate out at a nice Japanese restaurant in the Oxo Tower beside the Thames on my last night in London. This is a view from the window rather mixed up with reflections of the restaurant interior.
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Tuesday, August 12, 2008

 

Lost USB

Fate seems to be against my completing the annual report. Somewhere between Damascus and London I have lost all my work keys plus the USB stick with my work files on it. BMI says no one has handed them in at Heathrow. Ruba is checking Damascus to see if they have been found there and will re-send me all the original documents, but this may take some time as I was filleting around 35 documents.

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Strategy

A lot of people dismiss strategy in different ways. I remember when I was at the V&A sitting at a lunch next to Gyles Brandreth, a television "personality" who had (as public faces sometimes do) become a Conservative MP and had been given a junior spokesman role for culture. I suggested in our conversation that it would be helpful for museums such as the V&A to know on a longer than one-year basis what the Government's aims for the cultural sector were. As things were, we were effectively putting our five-year plans forward in a vacuum. What did I mean exactly? Well, I explained, some form of framework that would guide museums' planning, which could show the Government's own longer-term priorities (financial, social, intellectual, etc) in this area, which might encourage some form of cohesion in the sector, which... "Oh", said Brandreth, with distaste dripping from every syllable, "you mean A Strategy." Well yes indeed I did, but apparently the taste of the word Strategy was so little to the MP's liking that he promptly turned to his neighbour on the other side and didn't speak another word to me.

Then there are others who dismiss strategy as if it were a straitjacket, or incapable of change once drafted, of necessity a thirty-page all-inclusive document at least, or somehow only required by weak and indecisive minds. All wrong in my view.

To me, strategy is just the process of Engage Brain, completely indispensable, but also no more complex than it needs to be. The result could be half a page or twenty pages or a Post-It note; the important thing is setting out the thinking behind a course of future action. Yes, it's liberating to hear from Tom Peters that the best order of events is Ready! Fire! Aim! But the real question in that new threesome is not the unexpected order of the last two elements, but the meaning of the first (which by the way remains in first position). Ready for what? What does "ready" mean? To be ready, someone somewhere must have done some prep, must have assessed the broad picture, must have set the compass direction, must have scoped the opportunities. That is strategy forming. The problem with much of the current how-to strategy literature is that it over-emphasises the single massive total organisation business strategy, turns strategy-making into an exam (have you answered every question?), and suggests a model that requires such an investment by people that they will never want to throw the result away. I prefer lots of smaller strategies (frame condition: if they compete unproductively then the owners need a talking-to). There's more openness to change (tune or replace) one or more as conditions change. There's less distance between strategy and action, hence less abstraction and more reality, and as a result less of an issue with achieving conformance. And each smaller strategy will almost certainly be a better fit for the people who apply it than a one-size-fits-all solution from on high.

So don't dismiss strategy, do it, but do it small and simple and often.

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Sunday, August 03, 2008

 

Desperate measures

This must be one of the funniest and most pathetic stories I have seen for years.

http://www.guardian.co.uk/stage/2008/aug/03/theatre1

The Scarecrow wants a brain, the Tin Man wants a heart, the Cowardly Lion wants courage and Dorothy wants to go home. Those staging a big-budget production of The Wizard of Oz would settle for a positive review - even if they have to conjure it up themselves.

The theatre version of the Hollywood classic opened at London's Southbank Centre last week to tepid notices and the observation that the highlight of the evening was the performance of a West Highland Terrier called Bobby playing Dorothy's pet dog, Toto. But there were few friends for Dorothy on the discussion board of Whatsonstage.com, the leading online forum for ordinary theatregoers. One guest, 'Tom', described the show as 'lazy, unimaginative, and possibly slightly arrogant'.

Then, as if by magic, the mood changed. Three posts expressed surprise at the criticism and lavished praise on the show. There was only one snag - the gushing paeans were written by staff at the Southbank Centre; just 75 minutes later, they were caught red-handed. A beady-eyed moderator noticed that the three rave reviews had all come from computers that shared the same IP address, the code that identifies an internet connection.

The Southbank Centre, which receives public funding, has admitted that three staff posted the reviews and the matter is being investigated. It denied they had been acting under instructions from the producers of the show, which is directed by Jude Kelly, who is also artistic director of the centre.

The attempt to manipulate public opinion follows in a dubious internet tradition of authors and restaurateurs who have written fake reviews without revealing their identities.

Staged in the Royal Festival Hall, The Wizard of Oz stars former Royal Ballet principal Adam Cooper as the Tin Man, Gary Wilmot as the Cowardly Lion, Hilton McRae as the Scarecrow, Roy Hudd as the Wizard and Julie Legrand as the Wicked Witch of the West, with Siân Brooke stepping into Judy Garland's ruby slippers as Dorothy, the girl swept by a tornado from her home in Kansas to the magical world of Oz.


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